Important Cultural Property

Otaimensho

1785 (the end of the Edo Period)
Length: 24.5 m
Width: 19.5 m
Single Tier
hip-and-gable style (irimoya-zukuri)
tsumairi entrance
tiled roof (hongawarabuki)

This article can be read in about 2 minutes.

御対面所

Space enveloped in
magnificent wall-and-screen paintings

The Otaimensho is a hall for encounters between the abbot of Senjuji and the lay community. It was used regularly for such meetings until the early twentieth century, but these events are now held only once a year. It has also been used for tea gatherings and as a set for films. The original building was destroyed by fire in 1783, but it was rebuilt in 1786.

The large hall can be partitioned into smaller rooms using sliding doors. The rooms are arranged in three rows of five rooms each. The further back in the hall, the more prestigious. The focal point and highest-ranking area of the three main sections is the center-back room, which has a raised wooden floor and a large painting of a pair of red-crowned cranes under a snowy pine. The innermost room on the west side of the hall contains a Buddhist altar where a thirteenth-century statue of Amida Nyorai is enshrined. The room at the far end of the east side is not an exalted space; rather it is a private room for the head abbot of Senjuji to use before stepping into the room in front of the painting of the cranes and pine tree. Its sliding panels are usually closed.

The Otaimensho is connected to surrounding buildings by a covered passage. It has a tiled, hip-and-gable roof with a curved gable over the entrance. 

The Otaimensho is not open to the public.

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